I seem to recall a style suggestion of "Bubblegum Pop". (That said, I can't remember what colour socks I have on right now, so my memory is anything but reliable.)
The trio had a very strong start to define the style of the song. Again, this is one of those times when I think the song really benefitted from getting its start from everyone and not just the musician.
Coup is once again in the drivers seat for this one. Adam has a tremendous talent for weaving together a coherent melody in a verse and chorus, pulling together a great story, and managing to rhyme. He's one of my favourite players to work with. (You should see him in a Shakespearean scene; he's unbelievable.)
I'm accompaning on keyboard-drums and, eventually, bass. It took me a long time to come in for this one, I suspect I spent way more time hunting for the key than I should have.
I wonder how fast Adam's mind really works. I'm intrigued by the turn of events right at the end of the song:
Adam:Big Chief, he's got a friendWas that line in the plan? Or did he alter his rhyme and story at the last second?
MC (interjecting from offstage): 10 seconds!
Adam:Which brings this story almost to an end
Adam and I found a nice ending for this song; I love it when the music just drops out in the last seconds of the song, leaving the singer to finish it with a great tag. I had a feeling Coup was going to find a marvelous ending, and he didn't disappoint.
Download Big Chief No Friends (mp3)
This is the sixth entry in a series of recordings of Songs and Operas from Brisbane's Lightning Doubles Theatresports from 1992/1993.
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